Louvre Abu Dhabi
Sponsored Content /27 Feb 2019
02.27.19

Louvre Abu Dhabi & the Globalization of the Arts

In the best traditions of globalization, the Louvre, one of the world’s leading museums, has expanded its influence into the Middle East.

The United Arab Emirates (UAE) has shown great initiative here, as the Louvre Abu Dhabi has firmly established itself as one of the main cultural institutions within the Middle East.

Abu Dhabi has ambitions to create an international platform for education and culture. Just a few hours’ flight from India, the city serves as a viable intersection of different cultures and civilizations. This is not only reflected in the Louvre Abu Dhabi’s stated vision to be an institution that fosters dialogue between the East and West, but also in the relationships between the different works of art within it. Sculptures and objects that collectively influence visitors to bridge between time and cultures for themselves.

The biggest work of art in the Louvre Abu Dhabi is the building itself. French architect, Jean Nouvel, having been selected to design the museum which was inspired by the ancient cities of the Middle East, with their mysterious streets and bazaars.

The architecture of the Louvre is based on three components: the geometric patterns of the roof, natural sunlight and electric lights and the surrounding water beneath it. Each of these individual components come together for the museum to emanate a unique combination of light, water, and shimmering reflections alongside a shaped diamond pattern on the roof.

A 3-layered dome of 180 meters in diameter covering two-thirds of the museum creates a game of shadows, depending on the time of the day and year. Sunlight passes through the different layers, each with its own diamond-shaped pattern of different sizes and diameters.

As the building is embraced by the surrounding sea, the sunlight seeping through the dome is reflected in the water, and the interaction of the water and light is played out in running shadows on the walls adjacent to the sea.

Starting from a clean slate, the collection of Louvre Abu Dhabi is rapidly expanding, and now includes ancient and contemporary works from all over the world. The museum has around 300 artworks on loan from the Louvre Paris and 12 other leading French institutions.

The Musee Rodin, one of 12, has permitted the Louvre Abu Dhabi to showcase August Rodin’s ‘Walking Man,’ on a Column. In 1887, the French sculptor found two fragments he had previously created eight years earlier of a figure of St. John the Baptist. He re-assembled the fragments, pivoting the torso on the legs and inclining it slightly forwards, thereby instilling a sense of dynamism. Without either head or arms, this work is clearly inspired by the ancient statues and sculptures which Rodin admired. Yet, the sculptor’s decision to combine the torso with an entirely different set of legs is indicative of a very modern outlook. Rodin first presented this small sculpture at the top of a Corinthian column at the exhibition at the Pavillon de l’Alma in Paris in 1900.

In addition to the large collection of art from different historical eras, much attention is also paid to contemporary art. The Louvre Abu Dhabi has nominated two artists, Giuseppe Penone and Jenny Holzer, to work closely with the museum to create works reflecting the universal components of the museum and the natural inclusion of contemporary art.

Jenny Holzer used three stone walls to transform literary treasures into artwork which take their inspiration from Arabic script as the iconic writing of the sacred text. The first marble relief represents the oldest of three texts, a Mesopotamian clay tablet taken from the ancient city of Assur, now Iraq. It recounts the creation of the world, a myth which is 4,000 years old, written in two languages, Sumerian on the left and Akkadian on right.

Penone’s commission is called Germination, an installation which explores the use of natural materials in art. He created a bronze tree called Leaves of Light, which organically integrates into the architecture and portability of the museum.

Ultimately, we are at an exciting juncture for both brand Louvre and brand Abu Dhabi which together showcase creative synergy while extending a branch of harmonious expression and shared development to one another through the embrace of the arts. This is a model we may see replicated across the Middle East and beyond.

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