‘Blockers’ Review

04.06.18
Point Grey Pictures
Entertainment /06 Apr 2018
04.06.18

‘Blockers’ Review

Teen sex comedies exploring new boundaries are a Hollywood tradition. In her directorial debut, Tina Fey protégé Kay Cannon (“30 Rock,” Pitch Perfect franchise), offers up what has been called the first “Feminist teen comedy,” and the risqué humor is far more extreme than many past sex comedies.

Co-writers Brian and Jim Kehoe unfortunately try to cram too much into what should mostly be a laugh-a-thon. We get the #SexPact2018 from 3 high school senior best friends who agree to lose their virginity on prom night. We get the far-too-involved parents trying to prevent that from happening. We get those same parents dealing with the pending empty nest syndrome, while those three friends are immersed in drugs, alcohol and sex talk. If that’s not quite enough, there is also a sexual identity awakening and a hotel party more extreme than what you would find in Las Vegas.

Leslie Mann plays Lisa, the helicopter single mom to Julie (Kathryn Newton). WWE star John Cena is Mitchell, the overprotective dad and life coach to Kayla (an outstanding Geraldine Viswanathan); and comedian Ike Barinholtz (“The Mindy Project”) is Hunter, the estranged/absentee/banished dad to Sam (Gideon Adlon). Julie envisions the perfect romantic encounter, while Kayla just wants to be done with it, and Sam is still trying to figure out why she isn’t so attracted to boys.

Riffing off of the “one wild and crazy night” theme, prom night is chosen by the three amigas, and what follows is outrageous and periodically hilarious. Most of the humor comes courtesy of the parents on the ill-fated ‘blocking’ mission. The story bounces from heartfelt emotions of parents to ‘butt-chugging’ at a party. There is also a car explosion, breaking and entering, and projectile vomiting. Perhaps there is an overuse of hulking John Cena crying, but that’s less cringe-inducing than the role-playing of Gary Cole and Gina Gershon (parents of one of the girl’s dates).

Setting the story in Chicago allows the filmmakers to take on the conservative Midwestern attitude toward sex, while also providing a teenager with the “I’m getting as far away as possible” (UCLA) comeback. It makes sense that Superbad co-writers Seth Rogen and Evan Goldberg are Producers, as this film often feels like the female cousin to that 2007 film. Hannibal Buress has a small memorable role, as does Jimmy Bellinger, as fedora wearing Chad. The real standouts here are relative newcomer Geraldine Viswanathan, and John Cena, who previously has excelled with less screen time (Daddy’s Home 2, Trainwreck). Many will be offended on numerous occasions, and certainly most parents will be uncomfortable with the drug use and sexcapades of teenagers. However, the theater was often filled with boisterous laughter, proving that this is what constitutes contemporary cinematic comedy. Only you can decide if you are OK with that.

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