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‘Phantom Thread’ Review

  • Best Films of 2017

  • ‘Molly’s Game’ Review

  • ‘Call Me by Your Name’ Review

  • ‘All the Money in the World’ Review

  • ‘The Post’ Review

  • ‘The Last Jedi’: Latest ‘Star Wars’ is a Fable for Our Post-Truth Times

  • The Secret Behind the Success of the New ‘Star Wars’ Films

  • ‘The Shape of Water’ Review

  • Releasing the Unreleased: A Prisoner Artist Sets ‘Prisoners Free’

    11.19.17
  • ‘Mudbound’ Review

  • ‘Lady Bird’ Review

  • ‘Three Billboards Outside Ebbing, Missouri’ Review

  • ‘Murder on the Orient Express’ Review

  • ‘Thor: Ragnarok’ Review

  • ‘The Killing of a Sacred Deer’ Review

  • ‘Wonderstruck’ Review

  • ‘The Florida Project’ Review

  • ‘Wasted! The Story Of Food Waste’ Review

  • ‘Marshall’ Review

  • ‘Loving Vincent’ Review

  • ‘Blade Runner 2049’ Review

  • ‘Take Every Wave: The Life of Laird Hamilton’ Review

  • ‘Battle of the Sexes’ Review

  • ‘Trophy’ Review

  • ‘Stronger’ Review

  • ‘Brad’s Status’ Review

  • ‘Mother!’ Review

  • ‘The Last Tycoon’ and the Erasure of Hollywood Labor

  • ‘School Life’ Review

  • ‘Rebel in the Rye’ Review

  • ‘IT’ Review

  • ‘Viceroy’s House’ Review

  • ‘Menashe’ Review

  • ‘Crown Heights’ Review

  • ‘Good Time’ Review

  • ‘Kim Dotcom: Caught in the Web’ Review

  • ‘In This Corner of the World’ Review

  • ‘The Glass Castle’ Review

  • ‘It’s Not Yet Dark’ Review