‘The Aeronauts’ Review
‘Up, up, and away, in my beautiful balloon!’ That song says nothing about a lack of oxygen (hypoxemia), a malfunctioning valve, or frostbite…all of which come into play in The Aeronauts, which was inspired by real-life events in 1862-era London. Tom Harper directed the excellent Wild Rose earlier this year, and for this one, he and his co-writer Jack Thorne (Wonder, 2017) base the story on both the real-life record-breaking flight of scientist James Glaisher and balloon pilot Henry Coxwell and Richard Holmes’ book Falling Upwards: How We Took to the Air.
Reuniting from The Theory of Everything (2014) where they played Stephen Hawking and wife Jane, are Eddie Redmayne (as scientist-with-a-chip James Glaisher) and Felicity Jones (as fictional balloon pilot Amelia Wren/Rennes…yes, naming your female pilot Amelia is so very creative). Courageous real-life balloon pilot Henry Coxwell gets nary a mention here, as New Cinema must require a female lead or co-lead for every filmmaker not named Martin Scorsese. So, to heck with history, Amelia Wren is now the hero of this adventure!
As it turns out, Ms. Jones’ character is the more interesting of the two. Amelia’s initial showmanship catches nerdy Glaisher off-guard, though in fact, both are over-compensating. He, for his inferiority complex and the ridicule he endures from his fellow brainiacs at the Royal Society of London, and she for the tragic loss of her beloved husband in a balloon mishap. The mismatched pair are on a mission to fly higher than any human has previously flown, and in the process, allow Glaisher to record all the atmospheric readings possible in order to prove to the skeptics that meteorology is legitimate, and the weather can be predicted (although almost 160 years later, most weather reporters still haven’t quite gotten the hang of it).
It’s a tricky thing filming two characters who spend most of the movie floating tens of thousands of feet above ground in a wicker basket. The banter between the two should be crisp and the connection or disconnect should add intrigue. Here, the two characters are dwarfed by the giant balloon and the challenges that bring. What begins as an adventure morphs into a tale of survival. Storms, frostbite and technical issues provide the conflict. We do have flashbacks to background on both Amelia and Glaisher. Himesh Patel (star of this year’s Yesterday) plays Glaisher’s best friend, while Tom Courtenay and Anne Reid are Glaisher’s parents. Vincent Perez appears as Amelia’s husband Pierre.
I was fortunate enough to see this in a theatre and the big screen allows for the balloon effects to have full impact. There is no doubt that streaming this on your TV will not be as impressive…although anyone suffering from acrophobia will likely still experience some discomfort. The scenes in the balloon are thrilling, and Amelia’s rescue mission up the ropes is stunning and beautifully filmed by cinematographer George Steel; however, the flashback scenes are quick to deflate the excitement. The upside here is that the English really did break the French record on the flight…even if the filmmaker had to bend history so Amelia could get credit.