‘Murder on the Orient Express’ Review
Who doesn’t love a good whodunit? Don’t we all find a bit of guilty pleasure in being the mastermind who solves a fictitious murder case? Has anyone ever been better at crafting an intricate murder mystery than Agatha Christie? Why all the questions? Well, that’s nothing compared to what “probably the world’s greatest detective,” Hercule Poirot, must answer amidst the foul play aboard the sleek, luxurious, and snowbound Orient Express.
This latest film version has Michael Green (Blade Runner 2049, Logan) with the adapted screenplay and Kenneth Branagh directing and starring as the fabulously mustachioed Poirot (with his own take on the iconic super-sleuth). Like the near-perfect 1974 version, this latest adaptation succeeds in capturing the theatricality, while avoiding any stodgy staginess. Branagh’s film pays off in both the stunning snow-covered mountains and landscapes, as well as the tight, precisely-blocked interior shots around the exceptional set designs.
Fans of the novel will notice some shifting of character names, professions and backgrounds, although the vast majority of the story remains intact…including the early murder that occurs not long after the film ingeniously introduces us to each of the characters. The cast is strong and deep, and in addition to Mr. Branagh, features: Penelope Cruz, Willem Dafoe, Dame Judi Dench, Daisy Ridley, Leslie Odom Jr, Josh Gad, Johnny Depp, Derek Jacobi, Lucy Boynton, Michelle Pfeiffer, Olivia Coleman, Sergei Polunin, Manuel Garcia-Rulfo. All are suspects – well, except the victim.
If you haven’t read the novel or seen a previous version, know that the fun is in the ride. Follow along as Poirot dispenses zingers throughout, while maintaining a most precise commitment to balance in all things. He is an exacting and fastidious man, and as entertaining as he is skilled in crime solving. Note that the photograph he keeps of his one true love Katherine, is actually a photo of young Emma Thompson (Branagh’s real life wife). Enjoy keeping track of the clues and hints, while also tracking the widely diverse personalities, excuses and alibis.
Most of the many characters only have a couple of key scenes, and it’s quite fun to see what these talented performers make of their moments. Daisy Ridley, Lucy Boynton and Derek Jacobi make the most of their time, while Penelope Cruz overplays hers. Other than Branagh, the star who shines the brightest is Michelle Pfeiffer (fresh off a killer performance in Mother!). She continues to remind us just how talented she is, and no, your ears aren’t playing tricks…That’s Ms. Pfeiffer singing “Never Forget” (lyrics by Branagh) as the closing credits roll.
Ms. Christie’s outstanding novel was first published in 1934, and is somewhat based on the Lindbergh baby kidnapping and her own train-riding adventures. Though this most recent film adaptation doesn’t reach the timelessness of that one, no movie can be expected to capture the detail and maze-like structure of the novel. It’s still quite fun – and a true joy- to see the pages come to life (irony intended) on the big screen.
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